Better still, save yourself to see it live, where it delights.Īnn Murray (mezzo-soprano) as Octavian Anna Tomowasintow (soprano) as Marschallin Kurt Moll (bass) as Ochs Chorus and Orchestra of the Royal Opera House Andrew Davis (conductor). ’, try the 1990s Royal Opera house production with Ann Murray and Anna Tomowasintow alongside Kurt Moll. For highlights of the opera, including the amazing duet ‘Mir ist die Ehre widerfahren. The result is an incredibly rich score, which feels as if it’s pressing on all four sides of the Viennese ballroom, trying to get out. it’s fair to say that this particular librettist brought out the best in Strauss, who not only set his words but seemed inspired to set the unspoken aspects, the subtexts, as well. Puis en août 2014, il chante le chanteur italien dans Der Rosenkavalier au festival de Salzbourg. En 2011 et en 2012, Stefan Pop est invité à quatre des concerts dAngela Gheorghiu en Extrême-Orient. With its words by Strauss’s favourite librettist, Hugo von Hofmannsthal, the premiere in Dresden of Der Rosenkavalier was one of the composer’s biggest successes. La même année, il est invité par Plácido Domingo à chanter au gala de lOperalia au Royal Opera House de Londres. It’s as if Richard Strauss has the entire world of the Johanns captured in a snow globe, which he is shaking in the palm of his hand (musically speaking, of course). This Strauss, though, was a very different 'Kessel der Fische' from the toe-tapping Johanns I and II. It is beautifully apt that, in 1911, it was a Strauss who set the Austro-Hungarian Empire alight with a sumptuous, elegant grand ball of an opera, set in the Vienna of Maria Theresa.
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